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1980 – A Piece by Pina Bausch
1980 – 一部皮娜·鲍什的作品

皮娜·鲍什（Pina Bausch）的“1980”作品是德国舞蹈先驱少有的作品之一，这是皮娜的职业和生活伴侣拉尔夫·博齐克（Ralf Borzik）去世后创作的第一部作品。其内容表述一个病寡妇与两个已死的儿子和一个男人的故事，他们处于“没有亲戚，没有朋友，但有癌症”的现状，似乎这与现实中皮娜的困境极其的相似。但皮娜通过肯定生命的乐观主义，在“1980”中通过魔术和戏剧相互穿插的方式，让观者游离在现实与梦境之中。

Pina Bausch's "1980" work is one of the rare dance works of German dance pioneers. It was the first work created after the death of Pina's professional and life partner Ralf Borzik. It tells the story of a sick widow, two deceased sons and a man. They are in the contiton of "no relatives, no friends, but have cancer". It seems that this is very similar to the plight of Pina in reality. However, Pina interspersed with magic and drama in "1980" through her  optimism, allows the viewers to drift between reality and dreams.

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关于 "1980 – A Piece by Pina Bausch"

About "1980 – A Piece by Pina Bausch"

03-1 导演和编舞: 皮娜·鲍什

Direction and Choreography: Pina Bausch

03- 2 创作主题
Creative Theme

皮娜的丈夫拉尔夫·博齐克（Ralf Borzik）因癌症去世后不久，处于悲伤之中的皮娜，为了纪念她的爱人，创作出这部极具个人特点及感性的表演作品。“1980 – A Piece by Pina Bausch”当年由19位舞者（12位女性，7位男性），带来了一部关于普鲁士式的田园诗歌，充满迷幻的夏天和童年，热闹的选美大赛等社交活动。每个人都挤在舞台上，肆无忌惮的坐在草坪上享受阳光带来的无尽美好。一个奇怪的茶会，一个来访的魔术师，一个神秘来袭的动物，悄悄地在草坪上和人们融合成一幅印象派般的午后画作。

Shortly after Pina's husband, Ralf Borzik, died of cancer, Pina, who was in grief, created this highly personal and emotional performance to commemorate her lover. "1980 – A Piece by Pina Bausch" brought a piece of Prussian pastoral poetry, full of psychedelic summer and childhood, and lively beauty contests by 19 dancers (12 women, 7 men) that year. Everyone crowded on the stage, sitting unscrupulously on the lawn and enjoying the endless beauty brought by the sun. A strange tea party, a visiting magician, and a mysterious animal, quietly fuse with people on the lawn into an impressionist painting.

03-3 场景布置
Scene Layout

“1980”的创作进一步解构了戏剧领域的边界，让自然环境在剧院内进行，为了将舞台最大程度地开放，他们让草皮充满了整个舞台，形成平坦的，植被丰满的公园，同时让小鹿作为活动的永久观察者，成为舞台演员中的一员。

真实舞台的搭建，让戏剧的故事发生变得更加贴近生活，让观众与剧情之间增加了更多的共性，在草坪上裸体晒日光浴的男女，悠闲弹钢琴的游客，穿戴精致的女生躺着享受夏日的阳光。这些场境逼真的程度让人分不清是室内还是室外，是真实还是假象。让现场变若一副活的油画，让故事在我们的眼帘逐一展开。

The creation of "1980" further deconstructed the boundaries of the theater field and allowed the natural environment to be carried out in the theater. In order to maximize the opening of the stage, it made the turf fill the entire stage, forming a flat and full-vegetated park, and at the same time, the deer became one of the stage actors, and acted as a permanent observer of the event. 

The construction of the real stage makes the story of the drama closer to life, and adds more commonality between the audience and the plot. The men and women are sunbathing naked on the lawn, the tourists are playing the piano leisurely, and the delicately dressed girls are lying down. Everyone is enjoying the summer sun. The fidelity of these scenes makes it difficult to distinguish whether it is indoor or outdoor, real or fake. The scene becomes a living painting, and the story unfolds in our eyes.

戏剧的背后故事

Behind Story

Ralf Borzik在皮娜的心中有着十分重要的地位。在1973-1980期间，Ralf 不仅担任皮娜所有原创剧目的舞台与服装设计，还在多方面支持皮娜舞蹈剧场的工作，提出自己的设想、质疑和修改意见。在设计上，Ralf Borzik 作为布景设计师，开创性地使用水、泥土、植被等自然元素，将布景与戏剧完美地融合在一起，同时在戏服创作上似乎摆脱了日常生活，但风格又不失时尚和优雅。Ralf的帮助也在Wuppertal剧场的发展中有着至关重要的地位。在事业上和生活中Ralf Borzik对于皮娜来说既是同事，是朋友，也是爱人般的存在。 

1980年Ralf Borzik因病离去，给皮娜的生活带来了沉重的打击，这些“人生中不幸的经历”总让皮娜·鲍什有悲伤的感觉。“我跳舞，是因为我悲伤”，这是皮娜·鲍什最有影响的一句话。她因为悲伤而跳舞，却又习惯用冷幽默去调侃世态炎凉的人，通过舞蹈戏剧的方式去引发人类共性的思考，表达对生命的态度，将欢笑转移为沉思，将平静变为轰动。美妙的音乐、婀娜的舞姿、起伏的剧情及极具开创性的舞台布置让皮娜的一部部作品成为了旷世之作，成为了永恒的经典，这其中少不了朋友的陪伴与鼓励。“1980 – A Piece by Pina Bausch”是皮娜纪念Ralf Borzik的最美好的作品。

Ralf Borzik plays an important role in Pina's life. During 1973-1980, Ralf Borzik not only acted as the stage and costume designer for all of Pina's original plays, but also supported the work of Pina's dance theater in many aspects, includes putting forward his own ideas, doubts and suggestions for modification. As a set designer, Ralf Borzik uses natural elements, water, soil, vegetation and other concepts to blend well with the drama. At the same time, he seems to get rid of daily life in the creation of costumes, but still keeps the fashion style elegant and rich. Ralf Borzik is a colleague, friend and lover for Pina in both career and life.

In 1980, Ralf Borzik left due to illness, which brought a heavy blow to Pina's life. These unfortunate experiences in life always made Pina Bosch looks sad. "I dance because I am sad", this is the most influential quote of Pina Bausch. She dances because of grief, but she is accustomed to using cold humor to tease people in the world. She triggers common human thinking, expresses her attitude towards life, transforms laughter into contemplation, and turns calm into sensation through dance and drama. The beautiful music, curvaceous dance, undulating plot and groundbreaking stage layout made Pina's works become  masterpieces and  eternal classics in the world. The company and encouragement of friends are also indispensable. "1980-A Piece by Pina Bausch" is Pina's most beautiful and impressive work in memory of Ralf Borzik.