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蔡克非

国家一级注册建筑师、高级工程师

門口建筑工作室创始人

先后工作于家琨建筑设计事务所，非常建筑研究所，Steven Holl architects等国内外先锋建筑事务所，并于2016年创立門口建筑工作室。門口建筑工作室（Epos Architecture）位于成都市大学路，成立于2016年，中文名“門口”意味着我们站在“建筑学”这座造物的宏伟殿堂的门前，既保持着“尚未入门”的敬畏之心，也对暗示着我们对“扩展建筑学学科范畴”的雄心壮志。而epos在希腊文中是叙事诗的意思，工作室以epos为名，是因为我们相信建筑应该象古老的叙事，长诗一样诗意且有逻辑。門口工作室的工作以场地为起点，发掘现实的力量，遵循自己的建筑学脉络，力图寻找属于自己的答案。目前工作范畴为城市研究，社区更新，公共建筑设计以及小型建筑的全过程设计建造统筹。

National Grade One Registered Architect, Senior Engineer

Founder of Epos Architecture

Cai Kefei has worked in Jiakun Architectural Design Firm, Atelier FCJZ, Steven Holl architects and other domestic and foreign pioneer architectural firms. In 2016, he founded Epos Architecture. Epos Architecture is located on Daxue Road, Chengdu. It was established in 2016. The Chinese name "Menkou" means that we stand in front of the magnificent hall of architecture. It not only maintains the awe of "not yet started", but also hints at our ambition to "expand the discipline of architecture". Epos means narrative poetry in Greek. The studio named "Epos" because we believe that architecture should be as poetic and logical as ancient narratives and long poems. Epos Architecture starts from the site, explores the power of reality, follows his own architectural context, and tries to find his own answers. The current scope of work is urban research, community renewal, public building design, and overall design and construction coordination of small buildings.

01

顾城哲思录

顾城

简介 

Description

本书集中了顾城晶莹剔透、丰盈华美的散文性文字。顾城是当代中国文学收获的少数几个天才之一。随着时间流逝，他的重要性越来越清晰。《顾城哲思录》的文字，基本形成于1987年5月之后顾城的去国时期。这些顾城的后期思想散见于谈话、访谈、演讲中，它们的呈现方式有一定的即兴和片段色彩，有助于我们树立平静生活的智慧。书中还摘选了顾城的近二十余幅画。顾城之所以没有选择成为一个画家，可能是因为画画比写诗要更依赖于经济条件，而顾城一贯痛恨被物质因素所牵制。

This book concentrates Gu Cheng's elegant prose writing. Gu Cheng is one of the few geniuses harvested in contemporary Chinese literature. As time passed, his importance became clearer and clearer. The text of "Gu Cheng Zhe Si Lu" was basically formed during Gu Cheng's departure from the country after May 1987. These Gu Cheng's later thoughts are scattered in conversations, interviews, and speeches. Their presentation is improvised and fragmented, which helps us establish the wisdom of a peaceful life. In the book, more than 20 paintings by Gu Cheng are also selected. The reason why Gu Cheng did not choose to become a painter perhaps painting depends more on economic conditions than writing poetry. And he has always hated being held back by material factors.

推荐理由

Reason for Recommendation

这本集子是四卷本《顾城文选》的精华，因为顾城的发言通常是即兴的或者是发自本能的，所以我们可以从其中的任一页开始阅读，时常有回响，时常有惊叹：怎么会有这样的天才存在。“一个彻底诚实的人是从不面对选择的，那条路永远会清楚无二的呈现在你面前，这和你的憧憬无关，就像你是一棵苹果树，你憧憬结橘子，但是你还是诚实底结出苹果一样。”这就是顾城，一个有赤子之心的人，也是最希望达成的自己。

This collection is the essence of the four-volume "Selected Works of Gu Cheng", because Gu Cheng's speech is usually improvised or instinctive, so we can start reading from any page in it. There are often reverberations and surprises: How could such a genius exist. "A thoroughly honest person never faces choices. That path will always be presented to you clearly and unambiguously. This has nothing to do with your vision. Just like you are an apple tree, you long for oranges, but You still have an apple honestly." This is Gu Cheng, a person with a heart of innocence, and the one he most hopes to achieve.

02

侯孝贤电影讲座

卓伯棠

简介 

Description

这本书是台湾新电影最重要的代表人物侯孝贤2007年在香港浸会大学所做的一系列讲座的记录稿，首次全方位地回顾了其创作历程。全书主要分成6个部分：侯孝贤导演电影之路，电影真实与现实的关系，侯孝贤电影的美学信念，谈法国电影导演布列松的电影，侯孝贤与香港影评人对话和台湾电影的现在与未来。书末附录有侯孝贤导演作品年表。书中他细数自己的每一部影片，拍片时的故事、技术上的细节，侯孝贤讲得不少，就像诗话记下来的本事及推敲的过程。侯孝贤在讲座中讲别人也是在讲自己，理论、观念、心得、见地、经历、掌故都有，而且是一条条、一片片杂糅的，听上去似闲话，实则不言理而理自至。书里还爆了不少演员的料，如说舒淇“非常悍”，说刘嘉玲“太聪明”，但这些话都不能只照字面意思去理解。

This book is the transcript of a series of lectures given by Hou Hsiao-hsien, the most important representative of Taiwan's new film, in 2007 at Hong Kong Baptist University. It is the first comprehensive review of his creative process. The book is mainly divided into 6 parts: Hou Hsiao-hsien's film direction, the relationship between film sincerity and reality, film aesthetic beliefs, talks about French director Bresson's films, Hou Hsiao-hsien's dialogue with Hong Kong film critics, and the present and future of Taiwanese films. At the end of the book, there is a chronology of director Hou Hsiao-hsien's works. In the book, he counts each of his films in detail, and talks a lot about the stories and technical details of the film, just like the ability and the process of deliberation written down in poetry. Hou Hsiao-hsien said in the lecture that others are also talking about himself, with theories, concepts, feelings, insights, experiences and stories. They are mixed one by one. It sounds like gossip, but in fact it is unreasonable and self-conscious. There is also a lot of actor's material in the book, such as saying that Hsu Qi is "very tough" and that Carina Lau is "too smart", but these words cannot be understood only literally.

推荐理由

Reason for Recommendation

“我的能力在观察和选择上面”、“电影的真实和现实的关系”、“慢慢发现一种看世界的方法”、“电影不是讲的，电影是拍出来的”、“认清自己、面对自己”。这些讲的是电影，但无一不可切换到建筑设计的方法论里，所谓艺术是相通的，艺术家是相通的，诚不我欺也。

"My ability lies in observation and selection", "The relationship between the truth and reality of movies", "Slowly discover a way to see the world", "Movies are not about talking, but movies are made", "Recognize yourself, Face yourself". These are all about movies, but none of them cannot be switched to the methodology of architectural design. The so-called art is interlinked, and artists are interlinked.

03

万物

[德] 雷德侯

简介 

Description

作者从多个方面，既依照历史的线索、技术发展的过程，也依照艺术的门类、材质工艺的区别，深入到中国文化与审美观念的层次，分析了中国的艺术与工艺，揭示出中国艺术史中最为独特、最为深厚的层面。作者说明了中国的艺术家不似他们的西方同行，不寻求忠实的再现自然物象，而是探索代替模仿的方式，直接地创造出成千上万甚至无限的艺术品。他也为读者指出，模件的思想如何贯通了中国人官本位的文化、中国宗教以及关于个人自由的思想。本书将带领读者在中国艺术与文化之中做一次深刻的旅行，揭示了中国艺术家是在一个多么复杂的体系之中，生产出成批的艺术品。这个体系深深植根于中国之思想观念——宇宙是由万物所构成。

From many aspects, not only according to the historical clues, the process of technological development, but also according to the differences of art categories, materials and crafts, the author goes deep into the level of Chinese culture and aesthetic concepts, analyzes Chinese art and crafts, and reveals the most unique and profound level in the history of Chinese art. The author explained that Chinese artists, unlike their Western counterparts, do not seek to faithfully reproduce natural objects, but instead explore ways to replace imitation and directly create thousands or even infinite artworks. He also pointed out to readers how the idea of the module penetrates the Chinese official-standard culture, Chinese religion, and the idea of personal freedom. This book will lead readers to make a profound journey in Chinese art and culture, revealing how complicated Chinese artists are in producing batches of artworks. This system is deeply rooted in China's ideological concept that the universe is made up of everything.

推荐理由

Reason for Recommendation 

这是一本对我影响至深的艺术史书籍，从书里我仿佛一下子发现了中国的秘密：模块化的结构。书里描述无论是青铜器、绘画、瓷器还是书法、古建筑，它们都是由“模件”组成。这本书成为我观察、思考或者创造事物中国性的起点：不是追求一个完整的“形”（世界），而是研究这个世界的组织关系，以“房间群”的方式设计、构建世界。

This is an art history book that has a profound influence on me. From the book, I seem to have suddenly discovered the secret of China: the modular structure. The book describes that whether it is bronze, painting, porcelain, calligraphy, or ancient architecture, they are all composed of "modules." This book became the starting point for me to observe, think or create the Chinese style of things: instead of pursuing a complete "shape", but to study the organizational relationships of this world, and design and construct the world in the way of "groups of rooms".

04

江南园林志

童寯

简介 

Description

本书论述和介绍中国苏杭沪宁一带的古典园林，是中国最早采用现代方法进行测绘和摄影的园林专著。作者在抗日战争前遍访江南名园，进行实地考察和测绘摄影，以多年研究心得写成此书。本书分文字和图片两部分。文字部分包括造园、假山、沿革、现状、杂识五篇，论述中国造园的传统特色和一般原则，阐释假山艺术，介绍江南各地著名园林的沿革、现状、艺术特点并作出评价。第二版增收《随园考》一文，增补了部分图片，共收图片340多幅。书中述及的一部分园林现已残破或者废弃，这方面的资料尤具历史价值。

This book discusses and introduces the classical gardens in China's Suzhou, Hangzhou, and Nanjing areas. It is the first garden monograph in China to adopt modern methods for surveying, mapping and photography. Before the Anti-Japanese War, the author visited famous gardens in the south of the Yangtze River for field investigation, surveying and mapping photography, and wrote this book based on many years of research experience. This book is divided into two parts: text and pictures. The text part includes five chapters: gardening, rockery, evolution, current situation, and miscellaneous knowledge, discussing the traditional characteristics and general principles of Chinese gardening, explaining the art of rockery, introducing and evaluating the evolution, current situation, and artistic characteristics of famous gardens in the south of the Yangtze River. In the second edition, the article "Exams with the Garden" and some pictures were added, and more than 340 pictures were collected in total. Some of the gardens mentioned in the book have now been broken or abandoned so that the information in this area are of particular historical value.

推荐理由 

Reason for Recommendation

这本童寯老先生的书可以说传奇得很。1932年到1937年之间，童老先生以五年的每个周日，踏足27个县市，探访江浙100多个园林遗存，测绘笔记，于1937年夏天书成，在《江南园林志》出版排版的时候，卢沟桥事变爆发，书稿留天津，部分遗失损坏，1962年方得正式出版，这时候童老先生已经62岁了。可以说这本书的成书过程就是近代中华民族深重灾难历史的一个片段。即使在这么艰难的条件下，童老先生给后辈们留下了一本治学的范本：《江南园林志》仅有几万字，但从序言到正文没有一字废话，甚至可以说字字珠玑，值得反复揣摩。比如刚刚我打开《著者原序》有一段说到对园林的测绘“非必衡以绳墨也”，一语道出园林的不可测量性，或者是在劝慰那些“刻舟求剑”的学习者。

《江南园林志》是最早的园林研究书籍，为饱受劫难后的园林留下难以再现的记录。《江南园林志》也是“书中之书”，一本可以将薄书读厚的书，其中引用的《闲情偶寄》、《履园丛话》、《浮生六记》、《扬州画舫录》等明清笔记，列举的散布于江南的种种园林名称、位置，无一不是为未来的研究者、爱好者指明了继续探求的道路。

This book can be said to be very legendary. From 1932 to 1937, Mr. Tong set foot in 27 counties and cities every Sunday for five years, visiting more than 100 gardens in Jiangsu and Zhejiang, surveying and mapping notes, written in the summer of 1937. When the typesetting was published, the Lugou Bridge Incident broke out, and the manuscript was left in Tianjin, part of which was lost and damaged. It was officially published in 1962, when Mr. Tong was 62 years old. It can be said that the process of writing this book is a fragment of the profound disaster history of the modern Chinese nation. Even under such difficult conditions, Mr. Tong left a model of scholarship for the younger generations: "Jiangnan Garden History" has only tens of thousands of words, but there is no word of nonsense from the preface to the main text, and it can even be said that every word is critically. It's worth pondering over and over again. For example, when I just opened the "Author's Original Preface", there was a passage about the surveying and mapping of gardens, "it is not necessary to use the rope and ink", which expresses the unmeasurable nature of gardens, or is to encourage those learners who "carve a boat for a sword".

This book is the earliest work of garden research, leaving an unreproducible record for gardens after suffering. It is also a book that can be read thickly, including "Xian Qing Ou Ji", "Lü Yuan Cong Hua", "Six Chapters of a Floating Life", and "Yangzhou Painting Boat". Records and other Ming and Qing notes, listed the names and locations of various gardens scattered in the south of the Yangtze River, all pointed out the way for future researchers and enthusiasts to continue to explore.

05

浙江民居

李秋香 / 罗德胤 / 陈志华 / 楼庆西

简介

Description

本书讲述了前建筑科学研究院建筑理论及历史研究室于20世纪60年代初对浙江吴兴、东阳、杭州、天台、绍兴等二十余县、市的民居进行调查，对浙江民居中的一些优秀、典型的实例及若干处理手法，如平面与空间的处理、体形面貌、地形利用、构造及装修等问题，作了比较细致的观察与记录，写成此书。书中的实例和处理手法等材料是根据历史上民居所包括的范围选择的，既有贫农、中农和手工业工人的住宅，也有小商人或富农、地主的住宅。这些房屋现在的居住者多已有改变，编者是根据现在的实际居住情况进行调查的，以现在的使用功能为选材的标准。

This book tells the investigation of residential buildings in more than 20 counties and cities in Zhejiang, including Wuxing, Dongyang, Hangzhou, Tiantai, and Shaoxing in the early 1960s by the Architectural Theory and History Research Office of the former Academy of Building Research. It has made more detailed observations and records of some outstanding and typical examples of residential buildings in Zhejiang and a number of treatment methods, such as the treatment of plane and space, body shape, topography, structure and decoration, etc. The examples and treatment methods in the book are selected according to the range of residential houses in history, including houses of poor peasants, middle peasants and handicraft workers, as well as houses of small merchants, rich peasants, and landlords. Most of the current occupants of these houses have changed. The editor conducted an investigation based on the current actual living conditions, and used the current use functions as the criteria for selecting materials.

推荐理由 

Reason for Recommendation

这本署名为“中国建筑设计研究院/历史建筑历史研究所”的书，如果仔细看看序言里提到的编写、制图人员，恐怕得吓人一跳。这是一本教科书般经典的民居专著，从村镇组织，到细部处理，乃至一系列的住宅实例，里边甚至有杭州法云村（对，安缦法云那个法云）的测绘图，作者用线描制图的方式将建筑表达得淋漓尽致。除开文字上对浙江民居的介绍，实际上最有价值的就是这些手绘的测绘图，里边透露有前面提到的先贤达人们对浙江民居的认识：哪些是需要关注的，哪些是可以忽略的。随着自己职业生涯的发展，对建筑的认识的加深，这本书常有常读常新的感觉。

This book is signed "China Architecture Design and Research Institute/Historic Building History Research Institute". If you take a closer look at the writers and drafters mentioned in the preamble, it might be shocking. This is a classic residential monograph like a textbook, from village and town organization, to detailed processing, and even a series of housing examples. There is even a survey and drawing of Fayun Village in Hangzhou. The author uses The line drawing method expresses the architecture incisively and vividly. Except for the introduction of Zhejiang residential buildings in the text, the most valuable thing is actually these hand-drawn survey drawings, which reveal what the sages mentioned above know about Zhejiang residential buildings: which ones need attention and which ones can be ignored. With the development of my professional career and the deepening of the understanding of architecture, this book often has the feeling of frequent reading and new.

06

秩序与建造（现代主义建筑大师理论研究丛书）

汤凤龙

简介

Description

“西方现代主义建筑大师理论研究丛书——秩序与建造系列”是中国建筑工业出版社历时三年打磨完成，共三本，包括《“匀质”的秩序与“清晰的建造”》、《“间隔”的秩序与“事物的区分”》和《“有机”的秩序与“材料的本性”》，是国内研究“西方现代主义建筑大师”原创著作中角度最独特，研究最深入的一套丛书。

"Western Modernist Architect Theory Research Series-Order and Construction Series" was polished and completed by China Construction Industry Press in three years, including "Homogeneous Order and Clear Construction" and "The interval order and the distinction of things" and "organic order and the nature of materials" are the most unique and in-depth study series among the original works of "Western Modernist Architects" in China.

推荐理由

Reason for Recommendation

这个系列其实是三本书，是由汤凤龙老师的博士论文《几何的建构-赖特、密斯和路易康的建筑法则》增补完善而成，所以可以一起看作是一本书。书里揭示了三位现代主义大师的隐秘传承，与古典建筑的千丝万缕的联系。书里抽丝剥茧的分析了“建造”、“秩序”、“本性”的详细内容，分明在提醒我们建筑师手底下的功夫不能被自后现代主义，消费社会勃兴以来的图像化潮流所蒙蔽。我们应该抓住事物的本质，世界的本质，做更加恒久的事情。

This series is actually three books, supplemented by Tang Fenglong’s doctoral dissertation "The Construction of Geometry-Wright, Mies, and Louis Kahn's Architectural Laws", so they can be regarded as one book together. The book reveals the secret inheritance of the three modernist masters and the inextricable connection with classical architecture. The book analyzes the details of "construction", "order", and "naturalness". It clearly reminds us that the effort of architects cannot be deceived by the trend of imagery since the rise of postmodernism and consumer society. We should grasp the essence of things, the essence of the world, and do more permanent things.

07

肌肤之目

[芬兰] 尤哈尼·帕拉斯玛

简介 

Description

本书于1996年首次出版，已成为建筑理论的经典之作。本文结合了作者帕拉斯马的传记肖像和他的建筑思想，其起源，及其与北欧和欧洲思想、过去和现在的更广泛的背景的关系概述。这篇文章的重点是帕拉斯玛建筑方法的基本人性、洞察力和敏感性，使他更接近读者。帕拉斯马的素描和自己作品的照片说明了这一点。新版还提供了国际著名建筑师史蒂文霍尔的前言和帕拉斯马本人修订的介绍。

First published in 1996, The Eyes of the Skin has become a classic of architectural theory. This text combines both a biographical portrait of Pallasmaa and an outline of his architectural thinking, its origins, and its relationship to the wider context of Nordic and European thought, past and present. The focus of the essay is on the fundamental humanity, insight, and sensitivity of Pallasmaa’s approach to architecture, bringing him closer to the reader. This is illustrated by Pallasmaa’s sketches and photographs of his own work. The new edition also provides a foreword by the internationally renowned architect Steven Holl and a revised introduction by Pallasmaa himself.

推荐理由

Reason for Recommendation

芬兰帕拉斯玛教授的代表作，从题目就知道，这本书是对当今“媒体世界”的一种反动。从读书时代开始，图纸（平面图，效果图）始终是我们设计思考的核心，而实际上我们的身体，才是世界的中心。建筑学的边界该如何展开？视觉表达成为我们长期作茧自缚“金线”，要突破束缚，就需要打开自己的心灵和身体。这是只能意会而很难言传的事情，但必定是我们感受建筑与世界的起点。

From the title of the representative work of Professor Pallasma, this book is a reaction to today's "media world". Since the age of reading, drawings have always been the core of our design thinking, but in fact our body is the center of the world. How should the boundaries of architecture unfold? Visual expression has become a "golden thread" for us to cocoon and bind ourselves for a long time. To break through the shackles, we need to open our mind and body. This is something that can only be understood but hard to explain, but it must be the starting point for us to experience the architecture and the world.

08

冯纪忠百年诞辰研究文集

赵冰 / 王明贤

简介 

Description

本书是中国著名的建筑学家、建筑师和建筑教育家，中国现代建筑奠基人，中国城市规划专业和风景园林专业的创始人，同济大学教授冯纪忠先生代表作品的研讨论文合集，书中包含了大量精彩照片。全书分为建筑、城市、景观、诗论四部分，主要包括：武昌东湖休养所、武汉医院、关于毕业设计指导工作的几点意见、谈谈建筑设计原理课问题、空间原理 (建筑空间组合设计原理) 述要、谈建筑设计和风景区建筑等。

This book is a collection of research and discussion articles representing works by famous Chinese architects and architecture educators, founder of modern Chinese architecture, founder of Chinese urban planning and landscape architecture majors, and professor Feng Jizhong from Tongji University. The book contains lots of wonderful photos. The book is divided into four parts: architecture, city, landscape, and poetry theory. It mainly includes: Wuchang Donghu Retreat, Wuhan Hospital, some opinions on graduation design guidance, talks about architectural design principles, space principles Introduction, talk about architectural design and landscape architecture, etc.

推荐理由

Reason for Recommendation

冯先生的文、图其实不多，反反复复出版过。这本书算是集大成。其中包括冯先生的文选，作品自述、媒体访谈，和数次学术会议里的论文、发言实录，作品年表。快600页的文字，把冯先生的思想做了最完整的记录。每次我翻到里边的残缺不全的作品，充满遗憾的自述，都能感受到老先生的无力与无奈，冯先生常常以“一首未完成的交响乐”自喻一生，幸而还有这六百页的文字还存在，犹如半册九阴真经，值得我们反复揣摩。

Mr. Feng's articles and pictures are actually not many, and they have been published repeatedly. This book is a masterpiece, including Mr. Feng's essays, works self-reports, media interviews, and several academic conferences, transcripts of essays, speeches, and works chronology. Fast 600 pages of text have contained the most complete record of Mr. Feng's thoughts. When I turn to the incomplete works and regretful self-reports, I can feel the powerlessness and helplessness of the old man. Mr. Feng often describes himself as "an unfinished symphony" for his life. Fortunately, there are still six hundred the text on the page still exists, which is worthy of our repeated contemplation.